Bella Gioiosa by Fabritio Caroso in Il Ballarino
	a cascarda for a set of three dancers in a circle.
	Reconstructed by Dafydd Cyhoeddwr (4/1/2009) (and adjusted 7/9/2009) (and re-adjusted 9/16/2009)
Music:	Incantare by Musica Subterranea (not correctly arranged or repeated for this reconstruction)
	The structure for this must be AABBB Ax9 - so far, you'll need to patch this together yourself
A music
	Introduction
4:	Take hands around and riverenza.
4:	Four trabuchetti starting left.
8:	Countercircle over your left shoulder with two sequiti spezzati, two passi, and a cadenza, starting left
A music
	Traveling time
8:	Facing left in a wheel, four seguiti spezzati starting left.
8:	Two scambiate (step, kick, hop) left and right.
B music 3 times
4:	Leader does seguito spezzato left, turning over your left shoulder, and then cadenza.
4:	Person to right does seguito spezzato left, turning over your left shoulder, and then cadenza.
4:	Last person does seguito spezzato left, turning over your left shoulder, and then cadenza.
A music
	Solo figure: done by the leader only - this first time, that's the odd gender out, or as designated
4:	Two passi forward, left and right, and a cadenza
4:	Four trabuchetti starting left (alternately, two seguiti battuti del canario can be substituted to show off)
8:	A side-sequence of: two riprese left, two trabuchetti left and right, a sequito spezzato to turn over your left shoulder, finishing with a cadenza.
A music
	Solo figure: done by the person to the right of the leader
4:	Two passi forward, left and right, and a cadenza
4:	Four trabuchetti starting left (alternately, two seguiti battuti del canario can be substituted to show off)
8:	A side-sequence of: two riprese left, two trabuchetti left and right, a sequito spezzato to turn over your left shoulder, finishing with a cadenza.
A music
	Solo figure: done by the last person in the set
4:	Two passi forward, left and right, and a cadenza
4:	Four trabuchetti starting left (alternately, two seguiti battuti del canario can be substituted to show off)
8:	A side-sequence of: two riprese left, two trabuchetti left and right, a sequito spezzato to turn over your left shoulder, finishing with a cadenza.
A music
	The "joust" (all dance again - turn left side in (the other two facing the leader, optionally pointing fingers as a "lance")
2:	One sequito spezzato left, forward
2:	One sequito spezzato right, backward.
4:	Two seguiti spezzati left and right to change places, leader between, and mezavolta to face again
8:	Joust the other way with a sequito spezzato forward, one back, and two to change places, leader between
A music
	All together, the whole set moving in a wheel to the left
8:	Two seguiti semidoppii (passi, passi, spez) starting left
8:	A side-sequence left: two riprese left, two trabucetti left and right, a seguito spezzato to turn over your left shoulder, finishing with a cadenza
A music
	The set moving in a wheel to the right:
8:	Two seguiti semidoppii (passi, passi, spez) starting right
8:	A side-sequence right: two riprese right, two trabucetti right and left, a seguito spezzato to turn over your right shoulder, finishing with a cadenza
A music
	Strut your stuff
4:	Two fioretti a pie pari left and right, two passi left and right, backwards
4:	Two seguiti spezzati left and right to change places, leader between.
4:	Two fioretti a pie pari right and left, two passi right and left, backwards.
4:	Two seguiti spezzati right and left to change places, leader between.
A music
	Chaining
12:	Hey with six seguiti spezzati (leader passes between then turns left).
4:	Two passi left and right and a cadenza to adjust to place
A music
	Winding down
4:	Four trabuchetti starting left.
4:	Four seguiti battuti del canario starting left.
8:	A side-sequence left: (two riprese left, two trabs, one left, one right, and a sequito spezzato to turn over your left shoulder, finishing with a cadenza)
Note:	There was a slight retouching of my April reconstruction, having discovered that my understanding of my translation was introducing an error with the joust.
	A helpful, and more accurate, translation of the original at KWDS VIII has convinced me that the joust only has one leader, not all three, which reduces the number of A repeats to 9 from the original 11.
	And this is an even slighter retouching of the above July reconstruction, having come to the realization that the battuti steps were too slow, and that speeding them up to proper speed eliminates the need for the ending refrain of the "B" music.
	While that last refrain was once a clear indication that my translation fit the music better, there really isn't any reason to retain it in the face of a terribly slowed down battuti step.
	Riverenza - 4 beat motion: 1 stand with or point left foot forward; 2 draw the left foot back, shifting weight to it; 3 lower the body, keeping back straight; 4 rise and bring left foot even with right. Women can cheat this by dipping on 3, rising on 4.
	In this case, hop on the 4th beat.
	Trabuchetto - Make a small sideways jump to the left, landing on the toes of the left foot, bringing the right foot next to the left without (necessarily) touching it down, to be ready for the next trab in the other direction.
	Seguito spezzato - Step forward with the left, bring the right foot close to the left, then step on the left without advancing. An up and down motion may also accompany the last two beats.
	Passo - Normal walking step, no closing.
	Cadenza - jump in place, usually to close a phrase. Sometimes which foot has the weight is important, when following steps require specific footing.
	Scambiata - Step to the left, undercut the left with the right, jump left landing with both feet together and flat.
	Seguito battuto del Canario - Move your foot back so that the toe brushes the floor, then move it forward so that the heel brushes, and finally stomp your food flat (and shift your weight to it for the next step)
	Ripresa - Small step to the left, rising on the toes of both feet. Bring the right foot next to the left, lowering the heels.  Often done in multiples in the same direction.
	Seguito semidopio - two passi and a seguito spezzato.
	Fioretto a pie paro - a "bell" step - swing your leg straight to the side and bring it back down. When doing them in a pair, let the lifted leg "strike" the other leg out as it comes to close.